Shelters are a common sight throughout the forest, kiddies camps, youths hangouts, bush-craft experiments and then every now and again you come across a shelter where the builders have really got into their project...a woodland grand design, if you like. And this beauty, hidden away in Burley New is a grand design indeed.
Man, someone has gone to a lot of trouble with this woodland shelter. Best one I've seen in some time. Usually, the shelters are mere skeletal affairs, with a lot more covering needed to be effectual, this though is far more developed, and serviceable. I reckon you'd sleep three, plus equipment, in it comfortably. This would've taken some time to construct, it would've take quite a while to gather the materials alone, the woodland floor for some ways around the shelter has been cleared to acquire the boughs and branches, and the bark strips would have come from farther afield, the harvested conifers which lay in stacks along the enclosures tracks. A lot of work. Nice job.
Sunday, 30 September 2018
Saturday, 29 September 2018
Friday, 28 September 2018
Saxon Rood
A Saxon Rood (cross or crucifixion, carving or painting) on the outside wall of Romsey Abbey. At just over a thousand years old this carving was originally part of a Saxon Abbey built in 1000AD (where it would have been in the chancel entrance), though was later incorporated into the wall of the far grander Norman building which followed from 1130AD. It shows Jesus on the cross with the hand of God reaching down from the heavens above him, it's very battered and warn, though somehow more powerful for it. It's not my path, though that doesn't distract from the impact of a piece like this, it would have held powerful symbolism, still will today. Of course, I touched it, I had too, I dig touching things that have been touched for a thousand years. Continuity, man.
Labels:
Archaeology,
religion,
Romsey,
Romsey Abbey,
Saxon Rood
Wednesday, 26 September 2018
Here piggy piggyy
It's that time of year again when the pigs roam the New Forest in search of tasty morsels...pannage season. Every autumn between mid September and mid November (although this can be extended in bumper years) the commoners release their pigs into the forest to search out nuts, in particular Acorns which are poisonous to the forests ponies and cattle. They can be unpredictable buggers, pigs, sometimes being quite aggressive as well as chasing you, which I can tell you gets you moving, though for the most part they're amiable creatures, inquisitive but harmless, more scared of you. I'd take care to check them out before getting to close though, and keep your distance for sows with piglets, man, they can be feisty. It's a lovely thing to see. This was Geoff's first encounter with pigs. I checked them out before getting too close, they were clearly the mellow type. Geoff on the lead, we cautiously approached each other, the pigs interested in Geoff and Geoff in them, they sniffed each other and were cool. I let Geoff off the lead and they mingled without incident, Geoff intrigued by their snuffling had a go himself.
Labels:
Geoffrey,
New Forest,
pannage,
Pigs,
Red Rise Brook,
red rise shade
Tuesday, 25 September 2018
Harvest moon
So far this year has been particularly good for full moon fires, clear evenings, little wind and mercifully, dry, tonight was no exception, what a beautiful full moon and what a perfect night for a fire. Such a timeless pursuit, and always rewarding.
Monday, 24 September 2018
Saturday, 22 September 2018
Strawberry tree
Native to the Mediterranean, and first introduced into Britain in the 16th century, over the centuries the Strawberry tree (Arbutus unedo) has become naturalized in the lower half of Britain. Though I don't commonly see this tree about, there are several examples growing up the hill. It's a tree worth knowing, as it has an amazing range of properties: it's an astringent, diuretic, urinary anti-septic, antiseptic, intoxicant, rheumatism, a tonic, a source of antioxidants, it's used in the treatment of hypertension and diabetes, and it's leaves have anti inflammatory qualities. Not only that, you can eat the fruits which have a high sugar content. Natures bounty never ceases to amaze me.
Labels:
Christchurch,
St Catherine's Hill,
strawberry tree
Friday, 21 September 2018
Antler project pt1
I went back out to Holmhill today and collected the antler rack I found earlier in the week. I know I said I wasn't sure about removing it from the forest, and that's still the case. The antlers will be returned to the forest, but I have a plan for them. Strapped my pack the antlers again moved through the forest, weirdly at one point a deer approached me (or rather the antlers) and was noticeably surprised when I emerged from the undergrowth. Walking back on Sunday a picture began to form in my mind of what the antlers were meant for, pondering on it today, I'm sure it's right.
Labels:
Antler,
Antler project,
Autumn Equinox,
holmhill enclosure,
skulls,
Spiritual
Autumn Equinox and second harvest
When the Autumn Equinox with its momentary equilibrium is upon us, we know it's time to prepare for colder darker days to come. It's also second harvest and as we gather in the fruit harvest our minds are naturally drawn to begin a mental audit of what's gone before. What's our year been like? Have we achieved the things we'd planned, and did any of the seeds of our ideas we planted in Spring take, and how many came to fruition? Equinox blessings y'all.
With the fruit harvest in mind, over our common are a few feral apple trees, domestic fruit trees that have found freedom. Some of these trees have been barren for a couple of years now, whilst others produce a bounty of nice edible fruits each year. What never ceases to amaze me is that year on year I appear to be the only one person who utilizes these trees. Why? Have we become so conditioned to getting our food in shops that we can't bring ourselves to break the habit and forage? We collected from the wild for a lot longer than shops have serviced our needs. Or is it that we've just lost our connection to the land, to the seasons and to the joys of an apple straight of the bough. Sad as that is, it's a bonus to me, more apples going free. Carrying on the theme, year on year I see fewer people collecting Blackberries, and honestly, I've not seen children picking for years, all the pickers I see are my age or older. The connection to the land has been broken, a sad state of affairs for sure, and dangerous for both us and the land herself, no connection will inevitably translate to no protection in time.
With the fruit harvest in mind, over our common are a few feral apple trees, domestic fruit trees that have found freedom. Some of these trees have been barren for a couple of years now, whilst others produce a bounty of nice edible fruits each year. What never ceases to amaze me is that year on year I appear to be the only one person who utilizes these trees. Why? Have we become so conditioned to getting our food in shops that we can't bring ourselves to break the habit and forage? We collected from the wild for a lot longer than shops have serviced our needs. Or is it that we've just lost our connection to the land, to the seasons and to the joys of an apple straight of the bough. Sad as that is, it's a bonus to me, more apples going free. Carrying on the theme, year on year I see fewer people collecting Blackberries, and honestly, I've not seen children picking for years, all the pickers I see are my age or older. The connection to the land has been broken, a sad state of affairs for sure, and dangerous for both us and the land herself, no connection will inevitably translate to no protection in time.
Labels:
Apple,
Autumn Equinox,
Chewton Common,
foraging,
free food,
Wild food
Thursday, 20 September 2018
Yellow leaf road
Follow, follow, follow, follow, ... follow the yellow leaf road. The fall has begun with the first to show being the first to go. The Birch leaves drain to yellow almost in the turn of your back, and helped by the recent winds, are easily dislodged from their twiggy homes to litter the narrow woodland paths of the common.
More from Fruits de Mer
Record label 'Fruits de Mer' has long signified quality assured musical output, supporting and supplying the psychedelic community with the rare, unique and unusual. If you know their product, you know I speak truth, if you hadn't heard of the label check it out, now! The sooner you explore their wares, the sooner that broad smile of aural pleasure will spread across your face. Now here's a heads up, Fruits de Mer have got a forthcoming three disc vinyl release of classic 60's psychedelic covers by the cream of the contemporary psychedelic music community, acts like Jack Ellister, Magic Bus, Cary Grace, Anton Bardeau, The Honey Pot, The Sidewalk Society and The Luck of Eden Hall (if you've read previous posts you know there are some of my favourites in there) and well as veteran acts of the period The Yardbirds, The Electric Prunes and The Pretty Things! Yeah, I know, mental. The 3 disc album 'The Three Seasons' covers the influential psychedelic period 66' to 68' and from the tracks that have been leaked it's going to be will be a beautiful pop/psych extravaganza. Alright, I know you've stopped reading and are now on the Fruit de Mer site placing your order, good on you, I have, and knowing how frequently their releases sell out we're right to.
Here's what their site says.
1966-1968 : arguably the golden era for music as we at FdM know it. 'The Three Seasons' is a bit of a tribute to the psychedelic era - the first buds forming in '66, the summer of love and the comedown in '68.
Some of Fruits de Mer's best-known artists are joined by some new faces and a few who were actually there at the time and were personally responsible for some of the amazing sounds that we're celebrating in this vinyl love-in.
The Three Seasons has taken rather a long time to grow into the 3 LP set that will be presented for your consideration in early October - although, in the end, some heavy pruning was necessary to fit everything onto six sides (it could so easily have been a 4LP set, but someone had already knicked the 'four seasons' title).
The music ranges from pop-psych to acid-folk, heavy rock to prog, from classic songs to the long-lost - the kind of thing Fruits de Mer was designed for.
So, who is responsible for the two hours+ of music between the grooves? Step forward:
side 1
1. The Past Tense - Magic In The Air (originally by The Attack : recorded in 1967)
2. LoveyDove - Bedazzled (originally by Drimble Wedge and the Vegetations : 1967)
3. Campbell Stokes Sunshine Recorder - Amelia Jane (originally by Made In Sheffield : 1967)
4. Jack Ellister - Aquarius (originally by The Zodiac:Cosmic Sounds : 1967)
5. Rob Gould - Granny Takes A Trip (originally by The Purple Gang : 1967)
side 2
1. Mark McDowell and Friends - Up The Wooden Hills To Bedfordshire (originally by The Small Faces : 1966)
2. Anton Barbeau – Sunshine Superman (originally by Donovan : 1965)
3. The Electric Prunes - 7 and 7 is (originally by Love : 1966)
4. Moonweevil - Child Of The Sky (originally by The Deviants : 1967)
5. Kris Gietkowski - A-Minor Explosion (originally by Don Shinn : 1966)
6. The Yardbirds - Think About It (live in 2016) (originally by The Yardbirds : 1968)
side 3
1. The Locker Room Cowboys - We Love You (originally by The Rolling Stones : 1967)
2. King Penguin - White Bird (written : 1967, released by It's A Beautiful Day : 1969)
3. Aunt Cynthia's Cabin - Solitary Man (originally by Neil Diamond : 1966)
4. The Luck Of Eden Hall - Reflected (originally by Alice Cooper : 1968)
side 4
1. The Honey Pot - Kites (written by Hackaday/Pockriss; recorded by The Rooftop Singers / Simon Dupree and the Big Sound : 1967)
2. Cary Grace - 1983 (A Merman I Should Be...) (originally by the Jimi Hendrix Experience : 1968)
side 5
1. Sidewalk Society - A Saying For Today (originally by The Action : 1968)
2. Jay Tausig - Let No Man Steal Your Thyme (trad. recorded by Anne Briggs : 1963 / Pentangle : 1968)
3. Magic Bus - Tribal Gathering (originally by The Byrds : 1967)
4. Proud Peasant - Down At Circe's Place (originally by Touch : 1968)
5. Icarus Peel - Beck's Bolero (originally by Jeff Beck Group : 1966)
side 6
1. The Green Ray - Dusty (originally by John Martyn : 1968)
2. Ex-Norwegian - Winter (originally by Family : 1968)
3. Consterdine - Fly (originally by J.K. & Co : 1968)
4. The Gold Needles - The Smell of Incense (originally by West Coast Pop Art Experimental Band : 1967)
5. The Pretty Things - Loneliest Person (live at the Half Moon, 2010) (originally by The Pretty Things : 1968)
...yes, you might have spotted within that line-up three rather spectacular names...
...THE YARDBIRDS, THE ELECTRIC PRUNES AND THE PRETTY THINGS
Have they ever appeared to together on a compilation before? (probably, but not on an FdM one, that's for sure!). Am I excited? I certainly bloody am.
Here's what their site says.
1966-1968 : arguably the golden era for music as we at FdM know it. 'The Three Seasons' is a bit of a tribute to the psychedelic era - the first buds forming in '66, the summer of love and the comedown in '68.
Some of Fruits de Mer's best-known artists are joined by some new faces and a few who were actually there at the time and were personally responsible for some of the amazing sounds that we're celebrating in this vinyl love-in.
The Three Seasons has taken rather a long time to grow into the 3 LP set that will be presented for your consideration in early October - although, in the end, some heavy pruning was necessary to fit everything onto six sides (it could so easily have been a 4LP set, but someone had already knicked the 'four seasons' title).
The music ranges from pop-psych to acid-folk, heavy rock to prog, from classic songs to the long-lost - the kind of thing Fruits de Mer was designed for.
So, who is responsible for the two hours+ of music between the grooves? Step forward:
side 1
1. The Past Tense - Magic In The Air (originally by The Attack : recorded in 1967)
2. LoveyDove - Bedazzled (originally by Drimble Wedge and the Vegetations : 1967)
3. Campbell Stokes Sunshine Recorder - Amelia Jane (originally by Made In Sheffield : 1967)
4. Jack Ellister - Aquarius (originally by The Zodiac:Cosmic Sounds : 1967)
5. Rob Gould - Granny Takes A Trip (originally by The Purple Gang : 1967)
side 2
1. Mark McDowell and Friends - Up The Wooden Hills To Bedfordshire (originally by The Small Faces : 1966)
2. Anton Barbeau – Sunshine Superman (originally by Donovan : 1965)
3. The Electric Prunes - 7 and 7 is (originally by Love : 1966)
4. Moonweevil - Child Of The Sky (originally by The Deviants : 1967)
5. Kris Gietkowski - A-Minor Explosion (originally by Don Shinn : 1966)
6. The Yardbirds - Think About It (live in 2016) (originally by The Yardbirds : 1968)
side 3
1. The Locker Room Cowboys - We Love You (originally by The Rolling Stones : 1967)
2. King Penguin - White Bird (written : 1967, released by It's A Beautiful Day : 1969)
3. Aunt Cynthia's Cabin - Solitary Man (originally by Neil Diamond : 1966)
4. The Luck Of Eden Hall - Reflected (originally by Alice Cooper : 1968)
side 4
1. The Honey Pot - Kites (written by Hackaday/Pockriss; recorded by The Rooftop Singers / Simon Dupree and the Big Sound : 1967)
2. Cary Grace - 1983 (A Merman I Should Be...) (originally by the Jimi Hendrix Experience : 1968)
side 5
1. Sidewalk Society - A Saying For Today (originally by The Action : 1968)
2. Jay Tausig - Let No Man Steal Your Thyme (trad. recorded by Anne Briggs : 1963 / Pentangle : 1968)
3. Magic Bus - Tribal Gathering (originally by The Byrds : 1967)
4. Proud Peasant - Down At Circe's Place (originally by Touch : 1968)
5. Icarus Peel - Beck's Bolero (originally by Jeff Beck Group : 1966)
side 6
1. The Green Ray - Dusty (originally by John Martyn : 1968)
2. Ex-Norwegian - Winter (originally by Family : 1968)
3. Consterdine - Fly (originally by J.K. & Co : 1968)
4. The Gold Needles - The Smell of Incense (originally by West Coast Pop Art Experimental Band : 1967)
5. The Pretty Things - Loneliest Person (live at the Half Moon, 2010) (originally by The Pretty Things : 1968)
...yes, you might have spotted within that line-up three rather spectacular names...
...THE YARDBIRDS, THE ELECTRIC PRUNES AND THE PRETTY THINGS
Have they ever appeared to together on a compilation before? (probably, but not on an FdM one, that's for sure!). Am I excited? I certainly bloody am.
And here's a little taster of what to expect from the album, as the Fast Show's jazz guys says.....Nice!
Labels:
forthcoming releases,
fruits de mer,
records,
The Three Seasons,
vinyl
Tuesday, 18 September 2018
Crystal Ship 7" EP The Luck of Eden Hall
Old news to many, I'm sure, though a new aural pleasure for me, the last one in the shop too! The Luck of Eden Hall's 2012 7" EP release, Crystal Ship, and the accompanying digital album, Alligators Eat Gumdrops, are both wonderful creations.
Crystal Ship is a nice coloured vinyl EP (I received a grape version, with peach the alternative colour) and has 4 tracks. On the A side are two fabulous covers of mid sixties numbers. Firstly, the 'titular' Crystal Ship by the Doors, now I reckon you've got to be brave to take on covering this iconic classic, though from the first gentle guitar twang and mellow tempo-ed approach you know TLoEH have nailed it, doing the original service as well as bringing their own flavour to the mix. I have to admit that I'd never heard of the other track 'Black Sheep' nor the band SRC, my bad, though I greatly enjoyed it, and searching out the original, again TLoEH have done the track justice. Whilst on the B side of the EP are two tracks off Alligators Eat Gumdrops, Bangalore and This is strange, both smashing pop/psyche numbers. Alligators Eat Gumdrops was originally released as a limited edition CD, although nowadays only the download option is available. Alligators Eat Gumdrops is an album of beautifully crafted pop/psych tracks, all relatively short numbers too, which only increases that pop sensibility. From the first track 'High Heeled Flippers' you know your going to be in for a treat, and you're not mistaken, track after track hitting the spot. There's a magpie-esque nature to the influences in TLoEH/Curvey's work, though 'one' of Curvey's gifts is that whereas you or I may gather loads of threads and we'd end up with a mess of knots, Curvey ends up with a lavish tapestry. A guitar rift there, the tinkle of keys there and the tone is set, one moment your mind is thrown back to those iconic sounds indicative of the British psych explosion that followed on from the mods in the mid sixties, suddenly the scene may change and you're transported to early eighties, there's an echo of bands like The Church swirling about in some of the atmospheres this album creates, early 80's post mod/psych/indie flavours abound, with some nice sax and keys too, then whoosh, and there are more of those airy sounds you'd associate with sixties psych, along with a spattering of folk/psych, and so so much more. Wisps of abundant and wide ranging influences abound, though only ethereal wisps, mind, this isn't an attempt at reproduction, a homage or doff of the cap, maybe, although the album is most certainly contemporary. What the album definitely is though, is The Luck of Eden Hall, there's no mistaking their original sound and arrangement style, and again for authenticity it's watermarked with Curvey's distinct vocal style. A fantastic album, I loves it, I do! Towards the mid 60's the 'mods' discovered psychedelia, and for a period their music was steeped in those flavours. In the late 70's/early 80's there was a second generation of 'mods', who took up the baton and music influences of their cultural forebears and embraced and evolved them, and they too went on to experienced their period of psychedelic discovery. I don't know about you, but to my ears at least (and I was a 2nd gen mod), on Alligators Eat Gumdrops The Luck of Eden Hall have picked up that psychedelic mod baton again, buffed it up, evolved it further, re-energized it by sprinkling on their magic and ran like the wind with it. And, wow, what a fantastic job they've done, creating a contemporary slice of modernist psychedelia.....very nice indeed! A must for any collection, and check the rest of their catalogue too, it's fabulous.
As you'd imagine, the musicianship is, par excellence, combine that with the quality song writing and thoughtful lyrics, and from the first listen you know you've got yourself another chunk of The Luck of Eden Hall gold. For me, the only down side is that it took me 6 years to discover this little gem or 'midget' gem, if you will. Get it?
As I proof read this post, and as if to support my assertions, the gas man has just serviced our boiler and commented that he liked the music I was playing (Alligators Eat Gumdrops) and his words when I told him it was a contemporary band were, 'right, I though I could hear the Human League, it's got that 80's sound, but thought it was a 60's band I was listening to and that Human League must have pinched their sound'. Well I never.
Crystal Ship is a nice coloured vinyl EP (I received a grape version, with peach the alternative colour) and has 4 tracks. On the A side are two fabulous covers of mid sixties numbers. Firstly, the 'titular' Crystal Ship by the Doors, now I reckon you've got to be brave to take on covering this iconic classic, though from the first gentle guitar twang and mellow tempo-ed approach you know TLoEH have nailed it, doing the original service as well as bringing their own flavour to the mix. I have to admit that I'd never heard of the other track 'Black Sheep' nor the band SRC, my bad, though I greatly enjoyed it, and searching out the original, again TLoEH have done the track justice. Whilst on the B side of the EP are two tracks off Alligators Eat Gumdrops, Bangalore and This is strange, both smashing pop/psyche numbers. Alligators Eat Gumdrops was originally released as a limited edition CD, although nowadays only the download option is available. Alligators Eat Gumdrops is an album of beautifully crafted pop/psych tracks, all relatively short numbers too, which only increases that pop sensibility. From the first track 'High Heeled Flippers' you know your going to be in for a treat, and you're not mistaken, track after track hitting the spot. There's a magpie-esque nature to the influences in TLoEH/Curvey's work, though 'one' of Curvey's gifts is that whereas you or I may gather loads of threads and we'd end up with a mess of knots, Curvey ends up with a lavish tapestry. A guitar rift there, the tinkle of keys there and the tone is set, one moment your mind is thrown back to those iconic sounds indicative of the British psych explosion that followed on from the mods in the mid sixties, suddenly the scene may change and you're transported to early eighties, there's an echo of bands like The Church swirling about in some of the atmospheres this album creates, early 80's post mod/psych/indie flavours abound, with some nice sax and keys too, then whoosh, and there are more of those airy sounds you'd associate with sixties psych, along with a spattering of folk/psych, and so so much more. Wisps of abundant and wide ranging influences abound, though only ethereal wisps, mind, this isn't an attempt at reproduction, a homage or doff of the cap, maybe, although the album is most certainly contemporary. What the album definitely is though, is The Luck of Eden Hall, there's no mistaking their original sound and arrangement style, and again for authenticity it's watermarked with Curvey's distinct vocal style. A fantastic album, I loves it, I do! Towards the mid 60's the 'mods' discovered psychedelia, and for a period their music was steeped in those flavours. In the late 70's/early 80's there was a second generation of 'mods', who took up the baton and music influences of their cultural forebears and embraced and evolved them, and they too went on to experienced their period of psychedelic discovery. I don't know about you, but to my ears at least (and I was a 2nd gen mod), on Alligators Eat Gumdrops The Luck of Eden Hall have picked up that psychedelic mod baton again, buffed it up, evolved it further, re-energized it by sprinkling on their magic and ran like the wind with it. And, wow, what a fantastic job they've done, creating a contemporary slice of modernist psychedelia.....very nice indeed! A must for any collection, and check the rest of their catalogue too, it's fabulous.
As you'd imagine, the musicianship is, par excellence, combine that with the quality song writing and thoughtful lyrics, and from the first listen you know you've got yourself another chunk of The Luck of Eden Hall gold. For me, the only down side is that it took me 6 years to discover this little gem or 'midget' gem, if you will. Get it?
As I proof read this post, and as if to support my assertions, the gas man has just serviced our boiler and commented that he liked the music I was playing (Alligators Eat Gumdrops) and his words when I told him it was a contemporary band were, 'right, I though I could hear the Human League, it's got that 80's sound, but thought it was a 60's band I was listening to and that Human League must have pinched their sound'. Well I never.
Monday, 17 September 2018
Gossamered Gorse
The spiders have been toiling hard out on the exposed plain of Spy Holms, their gossamer works encapsulating several gorse bushes. Their nocturnal works are a wonder to behold. How can they produce so much over one night? Is each the work of one or many? How can they produce a material so fine that it covers a bush as if a giant sheers stocking has placed about it? Finally, why?
Sunday, 16 September 2018
Nice rack!
Wow! I always say, walk off the beaten track to really find the forest and if you do she'll reveal her secrets to you. Walking I came across a deer's skeleton, flesh long gone, the bones remain articulated, well, in place at least, all except for the skull. I look about for the skull but it wasn't to be found, oh well, I thought, imagining the prize had already been found I moved off. Something made me alter my course and I turned through 90 degrees, 5m on I found this majestic rack, some meters from the tail of the skeleton, presumably moved by animals. Of course, I thanked the forest for the guidance given, and marvelled at the rack. I've found antlers many times (I have a load of them, I've used for things like soft hammers for knapping), small racks too, but nothing like this. Strangely though I was overcome with the feeling that this find belonged to the forest, I could take though it wouldn't be right, and so I hatched a plan. I hid the rack, and walked on, putting flesh on the bones of my plan (if you excuse the pun) as I went.
Saturday, 15 September 2018
Thursday, 13 September 2018
Lady's Tresses
Autumn lady’s tresses (Spiranthes spiralis), so unassuming and delicate that they're easily overlooked as you stride out over Spy holms. Although not as abundant as in previous years, these beautiful tiny orchids are putting on a lovely show.
Labels:
Autumn lady’s tresses,
New Forest,
Orchids,
Spy Holms
Tell 'em about the honey, mummy
It's that time of the year when you might spot clusters of boxes dotted on the distant open heathland slopes, these will be Bee Hives. The hives are brought out into forest by bee keepers during the late summer to take advantage of the abundance of heather, said to be the finest of honey. They'll be gone soon as the heather has all but gone over. When you hear 'forest' you think trees, don't you, and there are plenty of trees around here, for sure, although the majority of the New Forest is actually open heathland, with elements of wet heath. Here Heather and Ling are king, being by far the dominant ground flora, so there's a lot of pollen to be gathered.
Wednesday, 12 September 2018
Tuesday, 11 September 2018
James's Hill
James's Hill is a bit of a strange one, no matter the season or weather, I find the hill has a eeriness to it.
Labels:
Beech,
Holly,
James's Hill,
lyndhurst,
New Forest
Sunday, 9 September 2018
Nice sky
Nice sky, an ominous sky, a portent of things to come, I think, the weather is certainly on the change, though still a nice sky.
Saturday, 8 September 2018
Hops
Our Hops (Humulus lupulus) have done really well this year, it's looking like we'll have a nice crop. I wont be making beer or ought though (not this time), rather I'm going to collect and dry the flowers in order to use them in teas. They need to stored in airtight containers away from light, as they will quickly lose their potency otherwise. Hops can be used in herbal teas similarly to Valerian to combat anxiety and insomnia. I used to collect out in the wild, though that was often a hit and miss affair, relying on me finding a good, accessible, source. Growing them is a much better option.
Thursday, 6 September 2018
Follow the leader
A string of ponies passed me whilst I was out walking today. They moved in formation; 2 ponies out front on point, 30m break, closely grouped 8 or 9 ponies, 30m break, 2 larger, possibly older ponies as rear guard, like they were on patrol. Well, that's what it looks like to me.
Mother Hawthorn
Mother Hawthorn, beloved of the Fay, and revered by man, a treasured repository of folklore. This venerable tree could was easily seed from quite a ways off, its red flush of fecundity shining in contrast to the forest's fading glories. So many berries, man. It's been a bumper year for the Hawthorn, blossom covered in Spring and now laden with fruits, most good sized fruits too, a successful year. And, this Hawthorn is definitely the most striking and one of the most successful I've seen, so far.
Tuesday, 4 September 2018
And this is a .......?
Anybody have any idea what this is? Or, how it's used? I wonder how many do. I'm going to tell you what it is, it's the central ridge pole of a 'Bender', a Romany style of shelter/tent. Pairs of hazel or willow rods are dug into the ground a couple of meters apart, they're then bent over to join each other, and that's where the central ridge pole comes in, the ends of the rods being inserted into its corresponding holes. What you have, is an incredibly strong frame, which can be erected and dismantled with ease and speed. Tarps, or some such, are then laid over the frame and secured. A very effective shelter. What it's doing up here on the 'Hill', I have no idea.
Labels:
bender,
Bush craft,
camping,
gypsy,
St Catherine's Hill
Monday, 3 September 2018
St Catherine's Hill graffiti
Up on the summit of St Catherine's Hill there are a couple of large concrete water reservoirs, ugly grey things, quite the carbuncle. Though thankfully some good community minded folk have undertaken to brighten them up with some wonderful examples of graffiti, much in the style of the 70's/80's New York subway artists. Some nice pieces, man, well executed. More please.
Sunday, 2 September 2018
Saturday, 1 September 2018
Playing war
When we were kids we used to play war (it's okay, it was the 70's and playing war was almost compulsory) in the humps and bumps and hollows which cover one of the west facing, pine covered, slopes of St Catherine's Hill. When we played here the hillside was covered with invasive Rhododendron, so we couldn't see how the humps, bumps and hollows we built our camps amongst were connected. I discovered many years later that, ironically, what we were playing war in, were in fact First World War training trenches, where men learnt the skills of trench warfare before entering the bloody fray. Eerily weird, thinking about that now. During the war years the hillside was fortified as it would have been on the Western Front, forward trenches, machine gun positions, command bunkers, dug outs, shafts and tunnels, communication trenches and rear trenches, everything. Now that the Rhododendrons have been cleared you can get an inkling of what parts of the hill may have looked like, you can definitely make out a section of classic 'zig zag' trench work, along with several larger positions. I got to thinking, how much evidence, if any, of the underground works survive? Or were all the works filled or collapsed? I wonder if any geophysical surveys have been undertaken.
Labels:
Archaeology,
St Catherine's Hill,
trenches,
WW1
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